Sunday, 4 December 2016

this week on 100 Films

Not many reviews this week on 100 Films in a Year, but it's a busy one nonetheless. First, as it's now December, a look back at — you guessed it — November:

Then, because I'm away for most of December, an earlier-than-usual TV review:

Now it's on to the reviews, of which there were — once again2:

Jason Bourne (2016)
Action sequences ensue, shot with all the ShakyCam you’d expect from Greengrass... I think it’s considerably less bamboozling than when it made its debut in Supremacy 12 years ago — it’s been so copied that we’re more used to seeing it. I think Greengrass has a better handle on the purpose of the style than many of his imitators, however. I’d also argue that the cinematography in Jason Bourne is a smidgen more stable, with shots held a few frames longer, so that it’s even less seasickness-inducing than before. In fact, some shots — even in the quick-cut action montages — are downright pretty.
Read more here.

The Transporter Refuelled (2015)
the action is pretty good, with some impressive car stunts and some neatly choreographed punch-ups. That’s all I expect or want from a movie like this, really, and even though it may not be an exceptional example of the form, the fisticuffs entertained me. I’ve certainly seen far worse. It helps that the over-reliance on CGI seen in the second two Statham instalments has been tempered... all the flips and crashes look to have been done for real.
Read more here.

And finally, my 100 Favourites series continued with 2 more entries:

The Transporter (2002)
The Transporter is neither big nor clever. In terms of the former, it’s a relatively small-scale, low-key action movie, not some Hollywood extravaganza; and in terms of the latter, it’s a relatively small-scale, low-key action movie, so of course it’s not been pumped full of brains. Instead it’s pumped full of adrenaline
Read more here.

Unbreakable (2000)
Some people view Unbreakable as the start of M. Night Shyamalan’s inexorable quality slide after the debut peak of The Sixth Sense (not that it was his debut). Those people are wrong. Partly because that degeneration doesn’t really start until the final act of The Village; partly because Unbreakable is Shyamalan’s best film. We’ve now had countless big-screen takes on superhero mythology, but none are quite like this.
Read more here.

More next Sunday.

Friday, 2 December 2016


Wizardhood (2016)
[#186 in 100 Films in a Year 2016]

All eight Harry Potter films, edited into a single 78-minute film.


As you read this, I am leaving on a jet plane, don't know when I'll be back again... except I do know: it's Saturday 17th.

Until then, updates may be sporadic and/or delayed. Not that anyone's likely to care, but I thought I'd point it out just in case.

Thursday, 1 December 2016


Come Together (2016)
[#185a in 100 Films in a Year 2016]

The Wes Anderson-directed Christmas short-cum-advert for H&M. Watch it on YouTube here.

Wednesday, 30 November 2016

Tuesday, 29 November 2016


7x20 Sleeper

The Flash
3x05 Monster

Junior Bake Off
4x09 Heat Nine
[Watch it (again) on iPlayer.]

Live at the Apollo
12x02 Episode 2
[Watch it (again) on iPlayer.]

Monday, 28 November 2016

Sunday, 27 November 2016


5x04 Penance

Crisis in Six Scenes
Episode 1 (of 6)
Episode 2 (of 6)
Episode 3 (of 6)
Episode 4 (of 6)
Episode 5 (of 6)
Episode 6 (of 6)
Woody Allen's TV series is basically a long Woody Allen film chopped up into six segments.
[Watch it all (again) on Amazon Prime Video.]

this week on 100 Films

Just 2 brand-new reviews were published to 100 Films in a Year again this week, and they were...

The Good Dinosaur (2015)
While it may take a while to warm up, The Good Dinosaur is ultimately a very affecting entry in Pixar’s canon. It’s by no means a perfect movie, but I do think it’s an underrated one. And, in all honesty, I enjoyed it more than Inside Out.
Read more here.

The Sting (1973)
Although often billed as a caper, sometimes even as a comedy, it actually has more of an edge. I mean, it’s not The Godfather, but it’s not Ocean’s Eleven either. The star power and chemistry of Redford and Newman are what give the movie a buoyancy to overcome the storyline’s inherent darkness, though I wouldn’t say that reaches far enough to regard the film as a romp
Read more here.

At least my 100 Favourites series continued with 2 more posts...

Toy Story (1995)
Pixar didn’t strike gold with Toy Story just because computer animation was New. It’s the likeable characters, how they develop and learn, the amusing situations they’re put in, plus some heartwarming messages about friendship. There’s more emotion and character development in these wooden-and-plastic toys generated with pixels in a computer than many a film can achieve with real human beings
Read more here.

Toy Story 2 (1999)
a sequel that is slicker, funnier, more exciting, and more emotional than its forebear. Even if it’s happening more often now, good sequels are still hard to do — trust Pixar to have got there ahead of the pack.
Read more here.

More next Sunday.