Sunday, 29 September 2013


2x16 The One Where Joey Moves Out [4th or so watch]

11x03 K-Folk (XL edition)


The Falcon in San Francisco (1945)
[#84 in 100 Films in a Year 2013]

Flight (2012)
[#83 in 100 Films in a Year 2013]

this week on 100 Films

Three brand-new reviews were published to 100 Films in a Year this week, and they were...

The Dinosaur Project (2012)
The story concerns a group of present-day explorers heading into the jungle to find dinosaurs. Lead explorer-man’s son tags along for various contrived reasons, and because he is Young and Hip he brings a bunch of cameras that he’s constantly recording from, hence the found footage thing. And the footage is “found” rather than “returned” because, of course, Things Go Wrong.
Read more here.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
At times I wondered if the film might just want to be a straight thriller, but that Kubrick couldn’t escape what he saw as the inherent ludicrousness of the situation. Even if you wanted to try reading the film from that angle, the silly bits are too silly to take the rest seriously.
Read more here.

Fantastic Four: Rise of the Silver Surfer (2007)
For a film with world-ending consequences, it all feels a little slight and lacking in scale. I’d say it feels “of its era” — a slightly indefinable feeling based on not only the quality of its CGI but also the cinematography, the choice of locations, the tone and pace... — but it’s less of its era, more a few (or more) years earlier.
Read more here.

And new to the new blog...

Blade Runner: The Final Cut (1982/2007)
You don’t need me to tell you about Blade Runner. It’s one of the most popular movies ever, if not with a mass audience then with a significantly-sized cult following and even wider-spread respect. Still, I’m going to go on about it for a bit anyway.
Read more here.

Cloverfield (2008)
it’s when the monster turns up that things kick off. From then the film does a great job of creating an unrelenting chase/escape, drawing the viewer in with its first-person/eyewitness style. You’re never going to be fooled into thinking it’s a real thing that really happened, obviously, but it comes as close as it’s likely to.
Read more here.

Jumper (2008)
Budget is plastered across the screen in incredible action sequences that show off the promise of the concept to good effect. Griffin jumping a double decker bus at Roland is a particular highlight. The jumping car chase, on the other hand, is visually neat and a good idea, but also entirely pointless
Read more here.

More next Sunday.