Sunday 18 November 2018

TV

Doctor Who
37x07 Kerblam!
[Watch it (again) on iPlayer.]

Films

Dodgeball: A True Underdog Story (2004)
[4th watch]
Rewatchathon 2018 #43
+ the audio commentary. As it went on, I began to realise I'd listened to it before -- and I hardly ever listen to audio commentaries, so that was weird; and this is a weird one to have listened to twice! It's a comedy one, though, y'see, and doesn't even last the whole length of the film, so that's a bit different to re-listening to a regular commentary, I think.

this week on 100 Films

4 brand-new reviews were published to 100 Films in a Year this week, and they were...


Bao (2018)
This short film from Pixar played before Incredibles 2 in cinemas, so naturally it accompanies it on Blu-ray too. In it, a Chinese-Canadian woman is steaming dumplings (the titular bao) when one comes to life and grows into a little dough boy, who she begins to raise as a son.
Read more here.


The Hunt (2012)
one of the film’s great strengths is how plausibly the matter is handled. There are no screaming histrionics and no raging against the world from Mikkelsen, as slowly the entire town turns against him based on a few misguided and poorly-understood words from a confused child. Instead, he mainly conveys a lot of quiet desperation — a man who knows he’s innocent but can’t work out how to prove it, and is increasingly hurt as people he called friends almost all turn against him.
Read more here.


Incredibles 2 (2018)
At its most basic, Incredibles 2 is a gender-reversed do-over of the first movie… to a fault, in fact. The closing moments of the first film suggest a “family of superheroes” future for the Parrs, with them battling crime together. The sequel immediately works to put everything back in its place: the kids aren’t allowed to use their powers (until they must for the climax, natch); one of the parents gets to go off and be a superhero, while the other has to stay at home. The difference is it’s the man staying at home, and where Helen was consummate at looking after the kids, Bob finds it a challenge — because Men, amirite?
Read more here.


They Shall Not Grow Old (2018)
Commissioned by 14-18 NOW (the UK’s arts programme for the First World War centenary) and the Imperial War Museum to see what he could do to make their old World War One footage more engaging for a modern audience, director Peter “Lord of the Rings” Jackson’s initial tests at restoring the footage were so successful that the project was eventually worked up into this feature-length documentary. It tells the story of the Western Front from the point of view of ordinary Tommies living and fighting on the frontline, using only footage from the period (plus photos, posters, artwork, maps, and so on) and narration taken from interviews with men who were really there — no historians to provide context or analysis here.
Read more here.


More next Sunday.