Insomnia (2002)
Despite the early plot and stylistic conventions, this is not a “whodunnit”: the killer’s identity is revealed around the halfway mark (assuming you haven’t already guessed it from the opening credits) and from then on the film gradually moves into murky moral territory, quickly leaving behind those early trappings for a set of more complex noir-ish moral conundrums.
Read the full review at 100 Films.
There are currently 17 new films in the review pipeline at 100 Films, plus two shorts. As ever, updates here as and when they're posted.
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