this week on 100 Films

Two new reviews were published to 100 Films in a Year this week.

But before that, October has just begun, so here's the September update.

And with that out of the way, those reviews...


The Negotiator (1998)

As premises go, “hostage negotiator turns hostage taker” is a doozy. You can immediately imagine all the drama to be had from pitting The Best Negotiator In The World against The Second Best Negotiator In The World — he’ll know all the techniques! He’ll… well, mainly the techniques one. But also his colleagues will be working against him — will they be on his side? Or against him? It practically writes itself.

Read more here.


Unknown (2011)

In the film’s special features, producer Leonard Goldberg talks about how, having made thrillers his whole life, when he starts reading or watching them he can usually figure it all out early on, but the novel on which Unknown is based managed to surprise him. Thinking if it could surprise him it might surprise others too, he snapped up the rights, and I must say I think he was right.

Read more here.


And new to the new blog...

Melinda and Melinda (2004)

One might argue that this is a remake of Sliding Doors, but only in a superficial and unsustainable way. Here, two stories are told, both taking the same premise — a Manhattan dinner party is interrupted — but one is told as a tragedy and one is told as a comedy. The only common factor is Radha Mitchell’s Melinda, who takes on a very different role in each tale.

Read more here.


Taken (2008)

remember Man On Fire? The Tony Scott/Denzel Washington one. Well, replace Washington with Neeson and Dakota Fanning’s character with “his daughter” and you’ve more or less got it. Taken is practically a remake, only in Europe, with a happier ending, and an hour shorter. It’s also not as good, but that’s a different matter.

Read more here.


More next Sunday.