this week on 100 Films

One brand-new review was published to 100 Films in a Year this week, and it was...


Video Nasties: Moral Panic, Censorship and Videotape (2010)

feature-length documentary exploring the ‘video nasty’ scare that gripped early-VHS-era Britain. Starting with a primer on the birth of home video, and what it was like to watch movies in those days (because, ladies and gents, we’ve now reached a point where even fans of that (second-)most adults-only of genres, the gory horror flick, are young enough to not recall a time before DVD), archive news clips and a wide array of new talking head interviews take the story from the UK’s first video recorders in 1978, through a newspaper-led panic, up to the infamous Video Recordings Act of 1984, which irrevocably changed the face of home entertainment releasing in the UK.

Read more here.


Meanwhile, my new goal of re-posting at least one archive review every day continued apace, with the following eight gems...


Alfie (1966)

If you’re only familiar with the Jude Law-starring remake, most of the original might come as a shock to you — whereas the 2004 version was pretty light and amusing, this is actually a more serious affair.

Read more here.


Basil the Great Mouse Detective (1986)

A seriously underrated Disney film... if you’re a Sherlock Holmes fan you should definitely catch it.

Read more here.


The Mirror Crack'd (1980)

There are some good lines, and it’s a Christie so obviously the fundamental story is good, but the direction is flat and lacks suspense, half the cast phone in their performances, and Angela Lansbury, lumbered with a sprained ankle and premature aging, seems to be in a dry run for Murder, She Wrote.

Read more here.


Sherlock: Case of Evil (2002)

Holmes is recast as a kind of Victorian James Bond, both in terms of his character and the plot structure. It begins with the end of the previous mission, before progressing through various familiar beats... Dr Watson is revealed to be “a bit of an inventor” — a Q in the making? Even Holmes himself is not immune: young, dashing, and womanising. Yes, womanising. He even has a threesome, shot and scored like soft porn

Read more here.


Titanic (1997)

it's over-reaching itself size-wise. This is true of both vessel and film, one being too big to dodge an iceberg, the other simply too long. I can't be certain, but it feels like the entire film following the iceberg's arrival is in real-time, which would make the length an excusable narrative trick, were it not for Cameron padding it out with endless contrivances to have Jack and Rose running around the ship.

Read more here.


True Lies (1994)

The comedy is quite broad, but it’s definitely a comedy, as opposed to an action movie that’s aware it’s a bit silly. Situations are pushed to extremes, clichés are played up, things go wrong in a way they’re liable to in real life but rarely do in films, action sequences are played for laughs as well as genuine excitement… The advantage to Cameron is he’s allowed to do some audacious things that might get laughed out in a straight actioner.

Read more here.


Zodiac (2007)

Zodiac is really a film about obsession, and it makes for as engrossing a tale as the case was for those investigating it. In following the story the film chooses to eschew normal structural niceties... it jumps from character to character, and if you step back and analyse it that’s odd, but while watching it doesn’t matter one jot — this is more like real life than some shallow crime thriller dependent on a twist ending.

Read more here.


Zodiac: Director's Cut (2007/2008)

Despite the minimal number of changes, the Director’s Cut of Zodiac is certainly the superior version. Not by a lot, obviously, but if you had to choose between the two, everything else being equal, then it’s the Director’s Cut to go with. And it’s still an exceptional film, one of the very best I’ve seen in this blog’s lifetime.

Read more here.


More next Sunday.