So, to continue the story I was telling before... Doctor Who came back from its 18-month hiatus, returned to 25-minute episodes but with only 14 per year. It's returning season was one long story, appropriately titled The Trial of a Time Lord (it's out on DVD later this year). For whatever reason, it was decided following this that sixth Doctor Colin Baker should vacate the part, and so he was booted off the show and Sylvester McCoy came in as the seventh Doctor. The attempts to kill the show continued -- it was no longer in its traditional Saturday slot, but scheduled against the most popular programme on TV (Coronation Street) in the middle of the week. Ratings plummeted further, though considering the low quality of McCoy's first season this was perhaps inevitable.
But then the show began to claw back, producing two seasons of largely very good stories; though many may debate the quality of The Happiness Patrol and The Greatest Show in the Galaxy (I think they're both great), fewer argue that Who wasn't finding its stride again come its final season. Unfortunately, while its quality was returning, its audience wasn't. Though plans were underway for a 27th season, Doctor Who was cancelled. In many ways it's a shame -- a few years earlier and many wouldn't've minded, but Who was dropped just as it showed signs of getting good again. On the other hand, it was looking increasingly cheap and outdated, and in retrospect the long gap that ensued has allowed it to be reborn as the most successful programme on TV. Perhaps the 1989 cancellation was a blessing in disguise.
Ironically, Who's final story was called Survival, and -- despite it breaking my self-imposed four-parter rule for this Who introduction -- it's the story I've chosen to represent the seventh Doctor. It was the first ever classic story I bought on video, and as such one of the earliest I saw... but I haven't seen it for years (perhaps even a decade or more), so how does it hold up today? Fairly well, in my opinion. 1989 may be nearly 20 years ago, but in many ways so little has changed that it doesn't look as dated as it could. Of course, the fashion often does, and the CGI (yes, it has some!) and direction aren't as sophisticated as you'd find in a modern production -- nor is the pacing, of course -- but it mostly stands up.
It's easy to count the flaws: the animatronic cats aren't entirely successful; it has the least exciting chase music ever (when a Cheetah on a horse chases Ace round a playground); the Master is underused; Part Two is mostly aimless running about; the ending is hurried and almost entirely inconclusive; the motorcycle explosion is pretty ludicrous... But, at the same time, there are many pros: the animatronic cats are actually aliens, so their slight weirdness is forgivable; the Cheetah People look fantastic; Anthony Ainley's Master gets his most unusual and interesting script yet, packed with moments to leave to you wanting more of him; Ace's storyline is brilliant, continuing to embed her as the most developed companion the Doctor ever had (to this point); the Cheetah planet is wonderfully achieved for the time; the Doctor-Master final battle is dramatic... and of course the Master escapes! There's not really any excuse for that explosion though. At least it look quite good...
In many ways, Doctor Who completely changed between its cancellation in 1989 and its revival in 2005 -- these days it's big budget, glossy, lightningly paced, CGI-stuffed, big, bold entertainment for everyone. On the other hand, it's remarkable how little jump there is from the plot of Survival to the plot of Rose -- a present day suburban estate setting, ordinary people getting caught up in extraordinary things, a mysterious central character who knows more than he lets on, and a focus on the life of a teenage girl, offered so much more by the mad adventures possible in a funny blue box. If you could match up the surface production values, you wouldn't think there was a decade and a half between them.
Wednesday, 25 June 2008
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