Three episodes in and The Wire is definitely growing on me. It's also becoming much clearer why people refer to it as "a novel on TV".
Other shows will often wrap up subplots within an episode, or handily remind you of them in a recap -- even ones that are also one long story, like Damages (I think I'll be making this comparison often through the series). The Wire, on the other hand, merrily plays little things that seem to have resolved themselves within a scene, but are actually setting things up for a future episode. This is done without a single opening recap to jog the memory. Perhaps best of all, many of these little things aren't absolutely essential to understand the ongoing plot, but do deepen character and events considerably.
For example, take the opening of this episode, in which D'Angelo argues against the violent way Baltimore's drugs trade is run. All his points are directly lifted from the police interview he had in the previous episode. You can understand the scene just fine without remembering this, but it's so much richer if you do. Similar little moments play out throughout the episode(s). I suspect this is one of the main reasons it's attracted such a devout following.
While I'm still not convinced it's the Best TV Series Of All Time Ever, the way its true quality is revealed gradually means I'll be reserving final judgement until at least the end of the season, perhaps even the end of the series.
Thursday, 2 April 2009
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