this week on 100 Films

Two new pieces were published to 100 Films in a Year this week, and they were...


The Assassination of Jesse James by the Coward Robert Ford (2007)

found itself going head-to-head in the awards season with No Country for Old Men and There Will Be Blood... in some kind of thematic and stylistic triumvirate: they’re all products of what I’d call “American mainstream art house” cinema; all classifiable as Westerns, though none in a strictly traditional sense; all more concerned with their characters and their lives than the machinations of the plot.

In the end, No Country garnered most of the awards, There Will Be Blood seems to have settled in as a critical darling, but, for my money, this purest Western of the three is by far the best.

Read more here.


The Harry Potter Films of David Yates

Later than promised, but here it is: a director-focused overview of the final four Harry Potter films.

Plus, some closing thoughts on the series as a whole.

Read more here.


And new to the new blog...


The Cube Trilogy
An overview of:

Cube (1997)

In its series of careful, measured, necessary reveals, the film strikes a perfect balance between what it lets the viewer know and what it keeps hidden, either for the viewer to deduce or interpret for themselves

Read more here.

Cube²: Hypercube (2002)

The new cube set is bigger, shinier, simpler, emptier, always one plain colour, and devoid of traps. Consequently, but perhaps inadvertently, it seems to symbolise the film itself.

Read more here.

Cube Zero (2004)

answers too many questions, which might be acceptable if the answers were remotely original or satisfying, but, of course, they aren’t: they’re derivative and, worst of all, quite irritating.

Read more here.


Plus:


Coraline (2009)

[The novel] won a Hugo, Nebula and Stoker, while the film adaptation was Oscar-nominated (naturally it lost to whichever Pixar film was eligible) and widely well reviewed (an 89% Tomatometer). All of which seems to set it up for a fall. But... Coraline, in short, is excellent.

Read more here.


Transporter 2 (2005)

In spite of the odd bit of CG-aided silliness, or the lack of anything as inspired as the first film’s oil fight, the fights are still a lot of fun; one involving a fire hose is especially well executed.

Read more here.


Transporter 3 (2008)

Megaton over-directs and over-edits the action (and a lot else besides) too often — it would be nice to tell what’s going on. Someone also needs to tell him that speeding up footage of two cars racing doesn’t make it more exciting, it just makes it look silly.

Read more here.


More next Sunday.