Also this week, I published 4 brand-new reviews...
American Ultra (2015)
Max Landis’ wish-fulfilment screenplay (by which I mean Max Landis’ screenplay is about fulfilling Max Landis’ wishes) sees Jesse Eisenberg as a laggard stoner who turns out to be a CIA sleeper agent with Bourne-esque abilities, which are revealed when the director of a rival CIA programme (Topher Grace) sets out to kill him and anyone who stands in their way, including girlfriend Kristen Stewart.Read more here.
Fast & Furious 7 (2015)
the action is ridiculous and implausible. Even the stuff that doesn’t seem physically impossible is overblown. But it’s so ludicrous that the film can’t possibly be trying to claim it’s real anymore, and therefore it kind of works — they’ve committed to it. Though anyone who started out enjoying this series for its broadly-realistic car-racing thrills must be pretty disappointed in it by this point.Read more here.
Legend of the Guardians: The Owls of Ga’Hoole (2010)
It’s an action-fantasy movie… starring owls. It’s animated, but in a dark, realistic way (think Rango with less cartoonishness and less light). It’s based on a kids’ book series… but directed by Zack Snyder, clearly reining in his R-rated impulses (violence occurs just off screen, leading to “did that happen?” confusion)Read more here.
Pride and Prejudice (1940)
The first adaptation of Jane Austen’s ever-popular novel, MGM’s film is a compromised endeavour: by executives softening dialogue and rewriting characters; by changing its setting to permit grander costumes; by Gone with the Wind using all the Technicolor stock, forcing the lavish production to shoot in black-and-white.Read more here.
Finally, my 100 Favourites series continued with 2 huge '80s blockbuster classics...
Raiders of the Lost Ark (1981)
It’s pretty much a perfect adventure movie: relentlessly paced, packed with action, lightened with humour, full of likeable heroes, who are brave and competent but also a little bit flawed, and hissable villains, with scene after scene of imaginative situations and fabulously staged derring-do.Read more here.
Return of the Jedi (1983)
These days, the answer to the question “how did they do that?” is “CGI”. Back in the ’80s, however, they had to be a bit more creative... For example, the shot where the Imperial fleet spring their trap on the Rebels was the most complex matte shot ever attempted, with dozens of separate model elements having to be printed in.Read more here.
More next Sunday.
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