the most notable differences are its black humour, where the tastes of both [writer] Whedon and director Jeunet make their mark, and how grotesque it is — almost two extremes walking hand-in-hand. The deformed, perverted Ripley clones; the Hybrid; the Ripley-Alien sex scene — there’s nothing like this in the other films, and that’s a grand thing.
Read the full review at 100 Films.
There are currently numerous films in the review pipeline at 100 Films. As ever, updates here as and when they're posted.
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