Wednesday, 30 November 2011

A daily dose of sci-fi - Day 17

Best use of special effects on the big screen

This is a very, very tricky one. While you might argue old special effects were Not So Good, I think you can go at least as far back as the groundbreaking effects work of Star Wars before you reach that time. So that's 35 years of movies to consider -- crikey.

And, actually, there's a definite charm and lingering impressiveness to, say, the stop-motion work in King Kong or the integration of matte paintings in Forbidden Planet. So that makes the list even broader. Oh dear.

But I think I have a good one...


The best special effects are iconic, and there are few more iconic than the lightsaber. Sure, they're not always the best realised special effect -- even on the new Blu-ray editions the colour and thickness of the beams can be variable -- but that doesn't matter when they're so damn cool and instantly recognisable.

And there's the sound too. Visuals may be the main calling card of this category, but in film the visuals are in part sold by the sound, and everyone knows how a lightsaber goes.


Read about a daily dose of sci-fi, with links to the rest of the series, here.

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