As well as that, three brand-new reviews were published this week...
A Beautiful Mind (2001)
There’s a Big Twist that they skilfully kept out of the advertising, and which many people have done a fair job of keeping quiet for the past 13 years; but, unlike most Big Twists, this one isn’t at the end of the film — in fact, it’s pretty early on, and the bulk of the movie is spent dealing with its fall-out.Read more here.
Clear and Present Danger (1994)
The plot isn’t exactly inspiring, sadly, but it does allow for a few more memorable sequences: an alleyway ambush on an American convoy, with Ryan in the thick of the action, which is apparently still used to train real troops; and, in a very modern twist, a sequence where Ryan hacks into a corrupt colleague’s computer, while the colleague tries to delete the files Ryan is looking for.Read more here.
Patriot Games (1992)
a sprawling tale. Although most of the major characters start off connected by a failed assassination, they soon splinter to go about their business in unconnected sequences, which finally come back together towards the end. To describe it as “novelistic” might be obvious, but it’s not been streamlined for the big screen.Read more here.
Finally, this week's archive re-posts had a bit of a one-track mind...
David Fincher Week
With Fincher's latest in cinemas this week, it seems a good time to repost my 2011 'week'. Starting with this somewhat-self-indulgent introduction...Read more here.
The end of David Fincher Week
...and continuing with my summary post from the week's end.Read more here.
Se7en (1995)
The quality of a crime thriller is often so tied to its mystery that the film can only sustain so many viewings — sometimes, only one — before you know it too well. I have seen Se7en at least seven times now, which for me is a lot — a helluva lot, even — and yet I still get something from it every time. That’s a rarity, that’s a reason to love it, and that is why it may well be my favourite film.Read more here.
Fight Club (1999)
At one point consensus seemed to have it that Fight Club was easily Fincher’s best movie, a generation-defining statement, “the first great film of the 21st Century” despite being released in 1999... I’ve always preferred Se7en myself. I still do. But Fight Club is nonetheless an exceptional film.Read more here.
Panic Room (2002)
stands out as (arguably) Fincher’s most atypical film. Whereas his others are all epic, in one way or another, this is the exact opposite. It’s very contained, virtually the entire running time spent on one night in one house, alleviated only by brief outside bookends and a guided tour of the house at the start. Fortunately, it’s still an outstanding little thriller.Read more here.
More next Sunday.
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