Barely Lethal (2015)
if its establishing concept sounds like something you might enjoy, and you go in with suitably lowered expectations, then I think there’s a fair chance you’d find it to be a frequently amusing, occasionally very funny, and sometimes quite sweet high school comedy — with added doses of action comedy for good measure.Read more here.
Ben-Hur (1959)
the other subtext I alluded to earlier: the possibility that Judah and Messala were once lovers. The claim originates with screenwriter Gore Vidal, who may or may not have written some or all of the screenplay that was used for shooting. According to Vidal, he and Stephen Boyd discussed the idea before shooting began, and then Boyd played the scenes with it in mind. [...] the content of the film makes it easy to believe — the scenes between Messala and Judah, especially when they’re first reunited, absolutely play like there’s a romantic history between them.Read more here.
Return of the One-Armed Swordsman (1969)
With ten varied adversaries to defeat, Return puts greater emphasis on the action than did its more dramatic forebear. The fighting is solid, with the enemies’ different skills adding some occasional freshness, but the plot underneath is thin.Read more here.
Steve Jobs (2015)
Sorkin’s writing is awe-inducing, especially to anyone who’s ever dabbled in or dreamed of being a writer. The construction of it all, at every level — from line to line, from scene to scene, from act to act, across the whole piece… And this is a particularly magnificent construction, so precisely structured, rife with mirroring and repetition, and yet done so well that it doesn’t feel locked in to or constrained by an unwavering structure.Read more here.
Ten Little Indians (1974)
The third English-language screen adaptation of Agatha Christie’s famed mystery, one of the best-selling novels of all time, relocates the action to the middle of a desert but is otherwise a word-for-word remake of the 1965 version [...] It’s interesting, therefore, that this lacks the atmosphere or tension of that version.Read more here.
Also, my 100 Favourites series continued with 2 more posts...
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
an exciting, humorous, creepy, fun movie. That the sequels haven’t lived up to it is disappointing, but the first still stands as a near-perfect example of big-budget swashbuckling entertainment — it’s basically the dictionary definition of a summer blockbuster.Read more here.
Pulp Fiction (1994)
Most films can be divvied up into heroes and villains one way or another — I’ve certainly managed it for the previous 70 films in this list. Pulp Fiction muddies its waters considerably, with criminals for heroes at the best of times, and the “short story collection” style meaning there’s an abundance of characters anyway, some of whom arguably change sides from one tale to the next. Nonetheless, you’d have to point to hitmen Vincent Vega and Jules Winnfield, and their ever-so-Tarantino rambling conversations about nothing and everything, as the film’s primary duo.Read more here.
More next Sunday.
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