Badlands (1973)
"He was 25 years old. He combed his hair like James Dean. He was very fastidious. People who littered bothered him. She was 15. She took music lessons and could twirl a baton. She wasn’t very popular at school. For awhile they lived together in a tree house. In 1959, she watched while he killed a lot of people." As 60-word summaries go, that pretty fairly covers the characters, plot, and, to some degree, the film’s tone.Read more here.
The Hunger Games: Mockingjay - Part 2 (2015)
The artificially-extended Hunger Games trilogy-turned-tetralogy climaxes here. Presumably you’ve seen the first three and so know what you’re into by this point — either you’re invested or you’ve given up. Unless you want to know “does it end well?” before embarking on the whole thing, of course. While Mockingjay Part 2 is not the series’ finest instalment, it brings things to a decent head… eventually.Read more here.
Jack Ryan: Shadow Recruit (2014)
the film wasn’t a success, either critically or commercially — despite casting a young, theoretically popular lead in Chris Pine, it didn’t attract the young audience needed to produce blockbuster numbers these days. I guess playing the “thriller” rather than “action” card didn’t pay off... I think the reaction has been unduly harsh, because Shadow Recruit is very effective at what it sets out to do, and is, in my view, easily the most entertaining Jack Ryan movie since at least the firstRead more here.
Magic in the Moonlight (2014)
the film is a romantic confection made up of sunny Côte d’Azur locations, pretty vintage costumes, gently witty dialogue, and quality actors gamely playing along. Colin Firth is hardly stretched as a romantic lead, but Stanley’s pompousness and sarcastic cynicism gives the role a little bite. Emma Stone’s big eyes do half the work for her, though she still gives it her all in a way that makes her character and performance endearing.Read more here.
Ted 2 (2015)
The plot (about Ted trying to become a legally recognised person) exists to string together comedic set pieces. Perhaps that’s why the pace feels off: individual parts are funny, but it’s slow going.Read more here.
Also, my 100 Favourites series continued with 2 more posts...
Road to Perdition (2002)
On the surface it’s a revenge thriller, replete with ’30s mob style and Tommy Gun massacres, but under that is a more emotive tale about masculinity as it pertains to the father/son dynamic. It’s all handled with sensitive artistry by director Sam Mendes, supported by first-rate technical merits across the boardRead more here.
The Rock (1996)
While it functions well in Bay’s familiar wheelhouse of adrenaline-pumping action-thriller, it’s elevated by a screenplay that offers dialogue which, at times, can be witty and/or intelligent; and, most importantly, which creates sympathetic characters on both sides of the conflict. There aren’t many actioners where you can say “the writing’s the best bit”, are there?Read more here.
More next Sunday.
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