by Emma Daly (from Radio Times)
The shark-cum-tornado flick attracted four times the UK subscription channel’s usual primetime average
I have it recorded...
All the stuff I've watched, read, listened to, etc.
The shark-cum-tornado flick attracted four times the UK subscription channel’s usual primetime average
Doctor Who Live: The Next DoctorOriginally commissioned as a pair of specials for US TV, Animalympics was repurposed by its makers as a feature film. You might be able to guess the plot from the title: various animals compete in an Animal Olympics. It’s a series of sketches, essentiallyRead more here.
Time has arguably blunted it slightly, however: a meeting of anti-American leaders is tinged by most since dying. Era-specific jokes are few, instead offering the usual Zucker-Abrahams-Zucker mix of slapstick, visual puns and wordplay.Read more here.
as Watchmen was to superhero comics, so Kick-Ass is to superhero films... it doesn’t “examine and deconstruct” quite as methodically — or, if you prefer, “as coldy” — as both Moore and Snyder did; but it still takes its cues as much, if not more, from fellow superhero films and TV seriesRead more here.
L.A. is hit by a series of ‘dirty bombs’ in this indie suspense thriller, that follows the story of what happens to one man in the suburbs, as well as the various people whose paths cross his.Read more here.
Originally the decision was taken not to include this release on the box set as it had previously been released as a standalone product.
In his second Hollywood outing, Hong Kong action maestro John Woo (over-)directs his little heart out: there’s an endless array of slightly hilarious slow-mo, crash zooms, etc.Read more here.
something to do with an alien invasion and they do it at sea and there’s only one ship that can stop them but the only person who can command it is the young loudmouth playboy recruit who has so much potential but never fully realises it… until now! Honestly, it’s that clichédRead more here.
The film is widely disliked, it seems, with a very low rating on IMDb; but I thought it was actually good fun. It’s a kids’ comedy-adventure, but it also has enough wit and charm to see it through for some older viewers.Read more here.
The story — you remember those? It’s the bit between the attention-grabbing opening and preposterous-twist finale — is mediocre with or without the finale. It’s a something-and-nothing account of a Poor Boy who loves a Rich Girl he can’t have and… oh, I can’t even be bothered to explain it.Read more here.
Mattie Ross is a great character — plain speaking, knows her own mind, ready & prepared for anything… Kim Darby was 21 at the time but is completely convincing not only as a 14-year-old but as a 14-year-old who’s wise beyond her years.Read more here.
Hopefully this pilot will stay a bit more faithful to Moore and O'Neill's work, as opposed to the film which took a number of liberties with the source material.
Johnny Depp-starring western's low box office yield looks set to lose studio more than $150m
Andrew Garfield dons the webbed onesie for an unwarranted reboot of the only-one-decade-old Spider-Man film franchise, retelling his origins… but with a twist! Cos, y’know, the last version was only out about 10 minutes ago.Read more here.
it is rubbish… I suppose… Thing is, it sort of grew on me. After a start that looks like a fan film shot in someone’s garden, by the time our hero teams up with a ragtag gang of evil-doers it begins to come together.Read more here.
this feels fresher than the dire fourth film. Not much, perhaps, but it has a few more twists on the formula. That said, it’s generally a very tired format now — the identikit plot is merely a delivery medium for more varied deaths.Read more here.
Notorious (to me) for unjustly beating Serenity to #1 at the US box office (a slight we Brits can proudly say went unrepeated), this plane-based uncredited remake of The Lady Vanishes is the kind of film that’s a 12 for no real reason. It contains “moderate violence and suspense”. Wow.Read more here.
Shortly before the release of the threequel, Spider-Man 2 returned to DVD in this newly extended form. What’s there? Not much.Read more here.
Spider-Man 3 carries the distinct air of a group of people trying to recapture former glories, and the fun they had achieving them, and failing on both counts.Read more here.
Perhaps the simplest way to describe Stardust is as “the British Princess Bride”. That may do it a disservice however, as this is sufficiently its own beast to stand apart from such (admittedly lofty) comparisons, and be much more than a simple rehash with different accents.Read more here.
A long time before the credits roll it degenerates into a grab-bag of random incidents and twists strung together until the made-up-as-it-goes-along script hits something approaching a produceable page count.Read more here.
Oh dear.Read more here.
The Other Film About United 93 is just that.
taken as a straight-up high-concept action-adventure, Runaway Train has an awful lot going for it. And if you want to get pretentious about it, well, it might just support that too.Read more here.
found itself going head-to-head in the awards season with No Country for Old Men and There Will Be Blood... in some kind of thematic and stylistic triumvirate: they’re all products of what I’d call “American mainstream art house” cinema; all classifiable as Westerns, though none in a strictly traditional sense; all more concerned with their characters and their lives than the machinations of the plot.Read more here.
In the end, No Country garnered most of the awards, There Will Be Blood seems to have settled in as a critical darling, but, for my money, this purest Western of the three is by far the best.
Later than promised, but here it is: a director-focused overview of the final four Harry Potter films.Read more here.
Plus, some closing thoughts on the series as a whole.
In its series of careful, measured, necessary reveals, the film strikes a perfect balance between what it lets the viewer know and what it keeps hidden, either for the viewer to deduce or interpret for themselvesRead more here.
The new cube set is bigger, shinier, simpler, emptier, always one plain colour, and devoid of traps. Consequently, but perhaps inadvertently, it seems to symbolise the film itself.Read more here.
answers too many questions, which might be acceptable if the answers were remotely original or satisfying, but, of course, they aren’t: they’re derivative and, worst of all, quite irritating.Read more here.
[The novel] won a Hugo, Nebula and Stoker, while the film adaptation was Oscar-nominated (naturally it lost to whichever Pixar film was eligible) and widely well reviewed (an 89% Tomatometer). All of which seems to set it up for a fall. But... Coraline, in short, is excellent.Read more here.
In spite of the odd bit of CG-aided silliness, or the lack of anything as inspired as the first film’s oil fight, the fights are still a lot of fun; one involving a fire hose is especially well executed.Read more here.
Megaton over-directs and over-edits the action (and a lot else besides) too often — it would be nice to tell what’s going on. Someone also needs to tell him that speeding up footage of two cars racing doesn’t make it more exciting, it just makes it look silly.Read more here.