
More next Sunday.
All the stuff I've watched, read, listened to, etc.



Why would you watch an awards show after its happened? Well, in this case, you get to hear the judges’ musings on what makes a good film — and when those judges are BAFTA-nominated director Coky Giedroyc, Oscar-nominated and BAFTA-winning producer Amanda Posey, and the CEO of IMDb, Col Needham, those are opinions worth listening to. Even better, you get to watch the five nominated shorts in full, and they’re good a bunch. But don’t just take my word for it: take my, er, word for it, in the form of these reviews…Read more here.
Sometimes, one thing can ruin an entire movie. Depending on how harsh a critic you are, I’d say that’s quite rare. Unless it’s threaded throughout the entire film (like, say, a terrible lead performance, or a consistently poor cinematography decision), a small constituent part would have to be truly horrendous to take the entire rest of the movie down with it. Some Beasts is one of those films. The problem arrives in the final 20 minutes, which makes it a massive plot spoiler. Out of some lingering respect for storytellers, I provide this spoiler warning; others would argue content of this nature doesn’t deserve such courtesy.Read more here.
some people really took against the film. Others, less vitriolic, thought it didn’t measure up to writer-director Taika Waititi’s high standard. I don’t think it’s as good as Hunt for the Wilderpeople or What We Do in the Shadows (both modern classics, more or less), but I did like it a lot. When it hit the mark with its humour, it was very, very funny; but it balances this with emotional and hard-hitting bits.Read more here.
the film’s tension crushes in all the time, throughout. Or perhaps not tension, exactly, but worry; uncertainty; anxiety. What’s going to happen? What’s going to go wrong? How are they going to deal with this, that, and the other? Horribly, this is probably what it’s like to be a young woman a lot of the time, especially in America. That’s the film’s power: it takes a real-life experience lived by so many, and it doesn’t just show it to us, it makes us feel it.Read more here.
To sum this up as “Agatha Christie meets the Coen brothers in a nudist camp” doesn’t feel too wide of the mark. Okay, there’s no murder, so perhaps mystery-genre fans could think of a better author than Christie to sub in. But the fact remains that the missing hammer isn’t just a story hook to hang something else on: it’s a solid mystery narrative, with clues and red herrings and twists. Conversely, it’s not just a mystery... It’s very much a comedy-drama, in that it’s not out-and-out seeking to provoke laughs, but it’s frequently absurd to the point of being laughableRead more here.
Often billed as the first portmanteau horror movie, Waxworks only fits the bill in the loosest sense: its “three stories” are actually two stories and a dream sequence, the first (and longest) of which is, if anything, a swashbuckling farce... It’s a welcome watch for fans of silent cinema or early horror (with caveats about its “horror” content duly noted), and there are enough good parts to recommend it, but I wouldn’t argue it’s a classic in any enduring senseRead more here.
part gentle romantic drama, part tourism video. There are multiple scenes of Hana leisurely roaming around ancient monuments, soaking in the atmosphere and history... There’s a lot going on internally for these characters — a lot of stuff we’re not privy to — which will work for some viewers and wholly turn off others. I found Hana’s mental state to be infectious, to a degree. There’s evident nostalgia for her previous time there, tinged with a certain amount of melancholy.Read more here.
sound like the setup for a comedy: it’s about a doddery 83-year-old who must learn to be a spy. And, indeed, there are scene where the film is very amusing; particularly early on, when the octogenarian in question, Sergio Chamy, struggles to get to grips with the technology he’ll need to use... [But] it’s ultimately a powerfully affecting experience. It’s a film that intrigues you with its laughable premise, then swings round to punch you in the emotions with a crystal-clear message.Read more here.
Long Lost Family meets rape revenge thriller in this Irish drama… Between its heavy issues and unwaveringly doom-laden tone, Rose Plays Julie is not a light viewing experience. If you like the idea of slow-burn dramatic thriller that spends a lot of time focused on people's still faces as they process information silently and internally, and leaves you with a lot to chew over when it's done, this is a film for you. If you think that sounds inscrutable or dull, steer clear.Read more here.

there are plenty of cheap, uninspired, crass, and rip-off gags, but some of it also made me laugh, so it’s not a total washout. It’s never as funny as the real thing at it’s funniest (Face Punch forever!), but it wasn’t as uninspired as I expected.Read more here.
Featuring...Read more here.
- It’s Such a Beautiful Day
- The Lives of Others
- Jennifer’s Body
- Going for Golden Eye
In a mirror of this post from last year, I’m here again to blame my recent blogging quietness on FilmBath Festival. Yes, even in these Covid-struck days, we are putting on a film festival. It’s different — smaller, for one thing, with just nine films over five days... But, as if to make up for that, we have a New Thing… AMPLIFY! is an online virtual film festival — which, in short, means you can enjoy it if you live anywhere in the UK.Read more here.

If it all sounds a bit predictable, director Marielle Heller dodges that with some indie-movie-esque flourishes. There’s a touch of Wes Anderson to how she uses Mr Rogers’ TV show, switching into Academy ratio to demarcate us entering a different ‘world’ — not just literally clips from the show, but bookend narration, dream sequences, location transitions, and so on.Read more here.
Like those half-arsed efforts of old, Bloodshot is, when taken as a brain-off sci-fi actioner, mostly adequate. That’s about the best that can be said for it. I was going to say that it’s probably bland enough to scrape a passing grade, but, the further I get from it, the more it lessens in my memory.Read more here.
Featuring...Read more here.
- TiMER
- Suspiria (1977)
- Matinee
- The Producers (1967)

As a story set in the world of Sherlock Holmes, Enola Holmes is… well… um… but then, it’s not really about him. While I don’t imagine Sherlockians will be inducting this into their favourite screen iterations of the Great Detective, it works as a female-led YA mystery-adventure.Read more here.