Fiction

Batman: The Dark Knight Strikes Again by Frank Miller & Lynn Varley
Top Cop Pops by Vicki Vale
Book One

Frank Miller is a helluva writer, but his opaque introductions (which that Vicki Vale thing is one of, believe it or not) leave something to be desired in my opinion.

Anyhow, this is the follow up to Miller's truly seminal Dark Knight Returns, probably the best Batman book ever written -- so no pressure following it up 15 years later then! It was largely poorly reviewed on release, and I can see why -- Miller's art is too sparse, coming across as rushed more than intentionally sketchy; the large amount of dead space (often only two or three panels on a page, undetailed splash pages for no reason) smacks of padding, especially as the story feels rather slight; plus, despite the room and apparent simplicity, it can be damn hard to follow at times.

It's not all bad -- the basics of the story are a decent idea, and do follow thematically from DKR plus, Superman gets thoroughly smashed at the end of Book One. That's something I always like to see.

"Batman: Year One" by Frank Miller & David Mazzucchelli

Batman: Year One is one of the key late '80s tales (like Watchmen and The Dark Knight Returns) that are credited with re-defining the comics medium. It's as much Jim Gordon's story as Batman's, succinctly showing how Batman's emergence began to change things in a corrupt, ruined Gotham. It's clear that a lot of this formed the basis to Batman Begins, though I'd argue the film's embellishments improve on this version.

The most recent edition also includes a page from an L.A. Confidential-style gossip rag, 'The Crime Blotter'; an introduction by Denny O'Neill (written in 1988); an interesting illustrated afterword by David Mazzucchelli ; a selection of script pages and corresponding layouts; a gallery of sketches and covers (including more roughs); to-scale reproductions of original art and newspaper-print pages; and, finally, another afterword, by Frank Miller.

These extras represent 40 pages, much of it very interesting. Especially intriguing were Mazzucchelli's early '80s submission pencils, which show a detailed realistic style, which was largely abandoned for a scratchy, sketchier style through Year One.

Fiction

Batman: The Dark Knight Strikes Again by Frank Miller & Lynn Varley
Book Three [the end]
Finally found a chance to finish this. The concluding part is better and more coherent than the others, but still suffers from Miller's over-simplistic over-large art, as well as bunging in a ludicrous number of things from the DC universe that he assumes you'll just know. A comic for comic geeks, then, and as weak as those usually are. Be sure to read The Dark Knight Returns (it's really brilliant), but skip this.

Comics

Wolverine #3-4 by Chris Claremont & Frank Miller

I wonder how much this actually inspired the movie, and how much it's just coincidence that some bits are kind of alike.

Fiction

Batman: The Dark Knight Strikes Again by Frank Miller & Lynn Varley
Book Two
Messy, in much the same way those stupid 'event' books -- like Infinite Crisis or Civil War or 52 -- are messy. It assumes you know who all these characters are, but it's a Batman book, not a JLA or Silly DCU Event book, and while some of them are obvious (Superman, Wonder Woman, Green Arrow...), others aren't. At all. The rest of the time, it feels like it's the work of someone who really wants to emulate the quality of Dark Knight Returns (many of its tropes are still there), but has less style when it comes to both art -- over-huge panels, wasted space, too scratchy, etc -- or story -- it is, as I have said, messy.

Comics

Daredevil: Born Again by Frank Miller & David Mazzucchelli
#228 Purgatory

Films

Batman: The Dark Knight Returns, Part I (2012)
[#90 in 100 Films in a Year 2012]

Adapting the first two books of Frank Miller's seminal tale. This hits UK DVD and Blu-ray next Monday, while the second half is out in the US at the end of January.

Fiction

Batman: Year One by Frank Miller & David Mazzucchelli
Chapters One - Four [the end]
See here for some of my thoughts on this book.

Batman: The Man Who Laughs by Ed Brubaker & Doug Mahnke
Like the film it inspired, Batman: Year One ends with newly-promoted Captain Jim Gordon informing Batman about a rising threat: the Joker. As The Dark Knight will do on film, The Man Who Laughs follows directly from this moment... Written very recently (2005), The Man Who Laughs mixes elements of Year One, the Joker's origin from The Killing Joke, and Batman's original first battle with him (in 1940's Batman #1), to retell the story of the Batman's first encounter with his nemesis. It's part of a new wave of creators retelling early Batman stories: 2005/6's Batman and the Monster Men is set during Year One and tells of Batman's first encounter with Dr Hugo Strange, while 2006/7's Batman and the Mad Monk retells another tale from Batman's first few appearances in Detective Comics, and leads directly into The Man Who Laughs (all three of these stories are collected in The Batman Chronicles Volume 1).

Batman: Made of Wood by Ed Brubaker & Patrick Zircher
(from the Batman: The Man Who Laughs hardcover)
Only tenuously linked with The Man Who Laughs: same writer and major involvement for (a retired) Gordon. In some ways it mirrors the construction of Man Who Laughs (which in turn mirrors Year One), with Gordon and Batman pursuing different lines of inquiry, narrated in journal-style text boxes. The story itself concerns a series of murders from the '40s, when Green Lantern patrolled Gotham. Consequently it's a bit of a team-up tale, a genre I don't care for on the whole, especially when it's someone with silly superpowers intruding on Batman's superpower-free world. On the plus side, the last page gives some nice extra meaning / modified perspective on what went before.

Not that this really matters to anyone, but... normally I keep what I've read/watched to alphabetical order, but have here stuck to the order I read them because my comments flow that way.

Comics

Daredevil: Born Again by Frank Miller & David Mazzucchelli
#227 Apocalypse

I’ve been intending to read this classic Daredevil storyline for a while — I bought my copy before the character rights had even reverted to Marvel, meaning the entirety of Daredevil: The TV Series’s conception, production, popularity, cancellation, and Disney+ revival (which, of course, borrows its subtitle from here) has occurred since this was put on my shelf. Yes, that’s ridiculous. Even worse: there are dozens, possibly hundreds, of other books that it’s just as true for. (Comics in particular: I bought this as part of Hachette’s The Ultimate Marvel Graphic Novel Collection, from which I own 50 volumes, and before this I’d read… one. I’m terrible.)

Anyway, it's off to a strong start. They sure did make comics bleak in the ’80s!

Fiction

Batman: The Dark Knight Returns by Frank Miller
Book One
As with Watchmen and Batman: Year One, one of the seminal late-'80s tales that helped shaped the way mainstream comics still are today.

Comics

Wolverine #1-2 by Chris Claremont & Frank Miller

No, not the Wolverine #1&2 I read recently; nor the Wolverine #1&2 that have been published since then; but, in fact, the first ever Wolverine #1&2 from 1982, aka Wolverine vol.1 1&2 -- half of the story that (loosely) inspired last summer's Wolverine movie, The Wolverine.

Much like its titular character (that'd be Wolverine), its reputation precedes it. Fortunately, it is very good.

Comics

Daredevil: Born Again by Frank Miller & David Mazzucchelli
#231 Saved
#232 God and Country
#233 Armageddon [the end]

I didn't intend to binge my way through this, but it was so good I didn't want to stop reading. A deserved classic.

Comics

Daredevil: Born Again by Frank Miller & David Mazzucchelli
#229 Pariah!
#230 Born Again

Articles

Dark Knight Animated Movie Sets Voice Cast
by Borys Kit (from Heat Vision at The Hollywood Reporter)
DC finally announce the voice cast for their forthcoming two-part animated adaptation of Frank Miller's seminal graphic novel The Dark Knight Returns. More exciting is the article comes with eight shots from the film itself, which confirm the style is what one would probably expect it to be: based on the original book, but with the kind of stylistic simplisation and blockier colours animation almost always brings. Looks like it could be good though.

RED 2 Teaser Poster Arrives
by Kevin Melrose (from Spinoff Online)
I enjoyed RED, so I'm certainly looking forward to this one.

Fiction

Batman: The Dark Knight Returns by Frank Miller
Books Two & Three

this week on 100 Films

It's the third week of 100 Films in a Year's 2014 Advent Calendar, in which a further seven brand-new reviews were published...


Dawn of the Planet of the Apes (2014)

This isn’t the kind of blockbuster that sets out a simple premise then follows it up with half a dozen action sequences, possibly with a twist at the end. No, this is the story of Ape and Man learning to interact and coexist — or, rather, failing to. Political machinations abound — and that’s just in the Ape camp.

Read more here.


Machete (2010)

When it’s on its game, Machete is the best kind of spoof: innovative, comical... Unfortunately it’s far too long, with an overabundance of characters and conflicts dragging things out.

Read more here.


Sin City (Recut & Extended) (2005)

The lack of notable new material isn’t the issue, though. The real problem is the re-structure. Let’s not beat around the bush: it scuttles the film. Individually, each of the three longer narratives is fine, but when watched back-to-back as if it were still one film, the structure is unbalanced.

Read more here.


Sin City: A Dame to Kill For (2014)

a collection of hyper-noir short stories, connected by location and overlapping characters, that flits between time periods with abandon — this is both a prequel and sequel to the first film... If the first was noir with a comic book mentality, then the second is a comic book with a noir mentality.

Read more here.


The Spirit (2008)

Comic book creator Frank Miller brings what he learnt co-directing Sin City to this adaptation of Will Eisner’s classic newspaper strip. Turns out, that’s not much.

Read more here.


The World's End (2013)

This is a more mature work than its two predecessors. While they were clever genre mash-up/pastiches, this goes lighter on that crowd-pleasing bumf. There are still generous segments of that in the film, but the genre being manipulated is less clearly defined and occasionally co-writers Pegg and Wright have substituted character development and thematic points for send-up.

Read more here.


X-Men: Days of Future Past (2014)

There’s an awful lot going on in Days of Future Past, which, if you want to dig into it, makes for quite a rich film. There’s the obvious need to balance major storylines taking place in both the past and the future... but there’s enough [character] material for a quality actor like James McAvoy to sink his teeth into.

Read more here.


Plus one new to the new blog...


Meet Me in St. Louis (1944)

at times it reminded me of Pride & Prejudice — a family of daughters seeking marriage — albeit a version of Pride & Prejudice with much of the dramatic tension removed. For instance, Austen’s tale spends a long time creating a bad impression of Mr Darcy, only to eventually reveal his (mostly) good intentions. St. Louis, on the other hand, manages all of five minutes

Read more here.


More next Sunday.

Fiction

Batman: The Dark Knight Returns by Frank Miller
Book Four [the end]