Sunday 27 September 2015


5x04 Murder He Wrote

Mock the Week
14x08 (17/9/15 edition)
[Watch it (again) on iPlayer.]


Boyz n the Hood (1991)
[#137 in 100 Films in a Year 2015]

this week on 100 Films

Four brand-new reviews were published to 100 Films in a Year this week, and they were...

American Sniper (2014)
an adequately-made film. Eastwood’s direction is at best workmanlike, at worst laughably clich├ęd. Jason Hall’s screenplay rehashes better movies’ insights into the mental effects of war on combatants. Neither elicit much excitement from a half-arsed sniper-vs-sniper storyline.
Read more here.

High Noon (1952)
No one will stand with Will. Interpreted by the American left as an analogy for people being afraid to stand up to McCarthy’s HUAC witch-hunt, some on the right were less impressed: John Wayne and Howard Hawks made Rio Bravo as a direct riposte. Both are regarded as classic Westerns, so in that respect there’s no ‘winner’ there.
Read more here.

Mad Max Beyond Thunderdome (1985)
the end result feels a bit like two different movies stuck together: the very Mad Max-y first part in Bartertown awkwardly transitions into the society-of-kids segment, before the two clash for a Mad Max 2-emulating chase-through-the-desert climax. It might not make for the smoothest through line... but at least it exposes us to a different facet of the series’ post-apocalyptic Australia.
Read more here.

Raging Bull (1980)
the boxing scenes were some of the bits I liked the most — they’re very well done; immensely effective. Unfortunately, they make up barely ten minutes of the running time, and it was the rest I didn’t care for.
Read more here.

Plus eight archive posts were reposted on the new blog...

Week 31
This is the first single-week entry since week 14. As well as a concerted effort (such as three films on the Friday), it’s helped by a lessening in the amount of TV I’ve been watching — last entry’s list of 19 on-going programmes has shrunk to 13 by the end of this week. Some might say I watch too much TV…
Read more here.

Week 32
Some might say I’ve been generous with the five-star ratings of late — four in the last two weeks, compared to a total of six in the 29 weeks before it. Maybe I have. There aren’t any to be seen this week, though that doesn’t mean I haven’t seen any good films. In fact, some only fall slightly short.
Read more here.

Week 33
The biggest news this week: I've passed 90. 90! Only ten films to go 'til I hit the final aim -- I think I can manage that in 19 weeks, to be honest.
Read more here.

Week 34
several over-long reviews this week — I appear to be losing my self control on that front. They’ll have multiple paragraphs before long, you mark my words!
Read more here.

Week 35
the four I have watched leave me only two short of the long awaited number 100! But that’s for next week. So, here are those four films, each from a different decade, across almost 60 years no less.
Read more here.

Week 36
This week is an unusually short one. Normally I’d just carry it over into the next entry, but one very important thing stops me…

I’ve reached 100!
Read more here.

Weeks 37-40
It’s an all-action extravaganza this entry, with no less than four films with a distinctly violent centre. But don’t think it’s all the same, oh no no — between them they cover several continents, even more countries, and spread out from the ancient past to the distant (or, at least, alternate) future, via the present day of course. There are spears, swords, guns and fists causing pain left, right and centre… and a few more unusual objects too. If you thought “action movie” meant endless bullets and slow motion… well, it does tend to involve at least one of those… but still, have a look and see that there is room for some variety.
Read more here.

Weeks 41-42
I do feel a tad arty this week, actually. Of the six films listed below, two are French, one German, one Japanese, two are shorts, and five are between 77 and 94 years old. That’s two weeks at the start of a University film module for you!
Read more here.

More next Sunday.