As well as that, two new reviews were published to 100 Films in a Year this week, and they were...
Ip Man 2 (2010)
The only major downside comes when the Brits turn up for the final act. Stereotyped and poorly acted, presented with palpable jingoism and xenophobia, their presence and storyline drag the film down.Read more here.
Ted (2012)
Family Guy’s stock in trade is two things: non-sequiturs, which Ted replaces with a plot; and an edgy, borderline-offensive sense of humour, which Ted retains, and in some cases pushes farther, unrestrained by the demands of US network TV.Read more here.
And new to the new blog...
The Adventures of Sherlock Holmes (1939)
Rain-lashed, fog-drenched Victorian London streets! Brutal murders by foul foreigners! Dastardly plots against the crown! Galloping carriages! Romantic subplots! A smattering of comedy! A song-and-dance number! (No, really, there is.) And a final shoot out… in the Tower of London!Read more here.
Harry Brown (2009)
Michael Caine killing hoodies... If that doesn’t get you excited about seeing this movie, then what kind of film fan are you? A mentally mature one, probably. But hush, don’t spoil our fun — those of us who may occasionally hanker for a morally simple form of voyeuristic vigilante justice want to see Sir Michael shooting yobsRead more here.
The Hound of the Baskervilles (1939)
One of the novel’s strong points is its occasional Gothic styling, and this is something the film version does very well. Dartmoor looks fantastic, like something Tim Burton would have created were he working in the ’30s. It’s clearly a set, but it’s dramatic and moody and completely effective.Read more here.
Sherlock Holmes in Washington (1943)
more a spy thriller than a traditional detective tale. That’s not to say Holmes’ abilities as a detective aren’t present, but if you switched him for a generic British Intelligence agent the plot would be unlikely to suffer and the dialogue probably wouldn’t need much work.Read more here.
More next Sunday.
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