this week on 100 Films

It was nearly a whole week ago now, I know, but a new month did begin this week, and so 100 Films in a Year looked back at the last one — lightweight though it was...





And 5 new reviews were published this past week, too...


The Girl in the Spider's Web (2018)

Where the first three Dragon Tattoo stories were all fundamentally crime thrillers, this opens up the storytelling world into much more fanciful realms. It’s a bit like they’ve tried to make Lisbeth Salander a kind of freelance female James Bond, using her l33t h4x0r skillz to stop evil cyber-terrorists. It also helps that she’s pretty handy on a motorbike and with a gun. How? Just because. Unfortunately, an element of ‘just because’ powers too much of the film, with fundamental flaws in even its basic setup

Read more here.


The Karate Kid (2010)

From reading other viewer reviews, I get the impression a lot of people dislike it just because they’re nostalgic for the original or because they’re annoyed by Jaden Smith’s parents trying to make him a movie star. But if you remove those external contexts, the film offers a decent storyline and some strong performances — it’s Jackie Chan, c’mon!

Read more here.


Shaft (2019)

Where Jackson’s Shaft was once a cool dude kicking ass and taking names (or whatever it is cool dude PIs did in the early ’00s), here they’ve turned him into a bit of a throwback dinosaur, spouting politically incorrect opinions with every other line of dialogue... At times it’s like someone adapted one of those facile “millennials are to blame for everything” articles into a movie; or at least copy-pasted it into Shaft Sr’s dialogue.

Read more here.


Witness (1985)

the film could descend into a culture-clash comedy — the big city cop chafing against historical rural life — but, while that clash is certainly in play, it’s not milked for laughs. Rather, the film is about Book experiencing a way of life so different to his own, and it changing his perspective on the world. Indeed, with the focus it gives to Amish ways, the film almost seems like it wanted to be a documentary about that community as much as a story.

Read more here.


Zatoichi Goes to the Fire Festival (1970)

Sex has been a factor of Zatoichi films before, but I’m not sure any other is as consumed by it as this one. It starts with a mistress auction and teases of nudity; the mystery ronin’s quest is to kill everyone who slept with his wife, which he thinks includes Ichi; the major set-piece is a fight in a bathhouse between Ichi and an army of assassins, all of whom are stark naked; Ichi spends an evening with five prostitutes; the villains decide the best way to kill our hero is with a honey trap (who winds up genuinely falling for Ichi, of course); there’s the roadhouse owners we randomly come across, who are casually perverse… and that’s all before the one-hour mark. Though if you’re expecting to see flashes of flesh, the nude scenes feature almost Austin Powers-level endeavours to make sure nothing explicit is shown.

Read more here.


More next Sunday, perhaps, depending on my holiday.