Thursday, 28 February 2019

Wednesday, 27 February 2019

TV

Insert Name Here
4x04 Emma
[Watch it (again) on iPlayer.]

The Punisher
2x13 The Whirlwind [series finale]
[Watch it (again) on Netflix.]

Tuesday, 26 February 2019

Monday, 25 February 2019

TV

The 91st Annual Academy Awards
aka the Oscars. Hurrah for Olivia Colman and Spider-Verse! As for the controversial Best Picture winner, well, it's certainly not the year's best film, I'll say that.

Films

Green Book (2018)
[#26 in 100 Films in a Year 2019]

Sunday, 24 February 2019

TV

Great News
2x13 Early Retirement [series finale]
[Watch it (again) on Netflix.]

Live from the Red Carpet: Oscars 2019

Films

Roma (2018)
[#25 in 100 Films in a Year 2019]
Will this win Best Picture? We'll find out in just a few hours' time...

this week on 100 Films

2 new reviews were published to 100 Films in a Year this week, and they were...


Ocean's Eight (2018)
Eight works as breezy entertainment. It’s not as perfectly slick and polished as Eleven — but then, that would’ve been asking a lot. It’s not as boundary-pushing as Twelve (a seemingly muddled film that gets interesting the more you think/read about it), but nor is it as aimless and derivative as I found Thirteen.
Read more here.


Roma (2018)
Drawn from writer-director Alfonso CuarĂ³n’s memories of growing up in the Colonia Roma neighbourhood of Mexico City, Roma is the story of what happens to a middle-class family’s housemaid, Cleo (played by newcomer Yalitza Aparicio), over the course of ten months in 1970 and 1971. It’s also one of the best-reviewed films of the year, winner of BAFTA’s Best Film award (amongst others), and a frontrunner for the same at tonight’s Oscars. No pressure, then.
Read more here.


More next Sunday.

Saturday, 23 February 2019

TV

The Punisher
2x11 The Abyss
[Watch it (again) on Netflix.]

Films

Rope (1948)
[#24 in 100 Films in a Year 2019]
Blindspot 2019 #2

Collection Count

Collection Count tracks my DVD/Blu-ray collection via a number of statistics every week.

Just one addition this week, which is nice because I thought there were going to be none. I suppose I shouldn't buy new stuff every week, really...

Number of titles in collection: 2,191 [up 1]
Of which DVDs: 1,140 [no change]
Of which Blu-rays: 1,051 [up 1]
— of which Ultra HD Blu-rays: 19 [no change]

Number of discs in collection: 5,674 [up 2]
Number of films: 2,507 [up 2]
Number of TV episodes: 8,426 [no change]
Number of short films: 654 [no change]

See you next week, faithful reader.

Friday, 22 February 2019

Thursday, 21 February 2019

TV

Great News
2x11 Competing Offer
[Watch it (again) on Netflix.]

Mark Kermode's Secrets of Cinema
1x07 Oscar Winners [special]
[Watch it (again) on iPlayer.]

The Punisher
2x09 Flustercluck
[Watch it (again) on Netflix.]

Would I Lie To You?
12x10 The Unseen Bits
[Watch it (again) on iPlayer.]

Wednesday, 20 February 2019

Tuesday, 19 February 2019

TV

Great News
2x10 Catfight
[Watch it (again) on Netflix.]

Music

Hamilton - Original Broadway Cast Recording

Obviously everyone's been talking about Hamilton for years, and I've head large chunks of the soundtrack in bits and pieces, now and then, but this is the first time I've listened to it properly from beginning to end, really paying attention. It's rather good, isn't it?

Monday, 18 February 2019

Sunday, 17 February 2019

this week on 100 Films

3 new reviews were published to 100 Films in a Year this week, and they were...


Attack the Block (2011)
Despite my reservations about the characters, the film is a great calling card for writer-director Joe Cornish. Although tonal similarities between the movies invite comparisons to what Shaun of the Dead did for Edgar Wright (especially as he’s friends with Cornish and an executive producer here), I feel like Wright’s breakout film was even more assured. Instead I think of something like Guy Ritchie and Lock Stock: an imperfect film in itself, but which suggests a lot of potential from the man behind the camera.
Read more here.


Hereditary (2018)
As a horror movie, it’s one of the most genuinely unsettling I’ve seen for some time, with imagery that makes my hair stand on end just remembering it. It’s all the more effective for the way it grounds itself in real-life tragedy, with a powerhouse performance from Collette that, yes, if it were in a straightforward indie drama would surely be a frontrunner this awards season.
Read more here.


Zatoichi Challenged (1967)
It’s a kinda boring Zatoichi adventure on the whole, with a thin, recycled plot and a first half-hour that’s almost a total aside from the actual story. It’s saved by the climax, one of the best sequences in any Zatoichi film, which single-handedly makes the movie worth a watch.
Read more here.


More next Sunday.