Bullet to the Head (2012)
At times, you get the impression that director Walter Hill wants this to be a noir tale: there’s a hardboiled voiceover, a story mired in corrupt officials, twists about who to trust, and so on. But these elements are only fleeting, never building a consistency where you could plausibly claim it as any kind of neo-noir. Instead, it’s more of a buddy movie in the ’80s mould.Read more here.
Feast (2014)
This year’s Best Animated Short Oscar winner is a charming little tale of a dog and his owner. I absolutely adored itRead more here.
Seven Psychopaths (2012)
The writer-director and star of In Bruges re-team for the former’s sophomore feature; and if that doesn’t sound oddball enough for you, the lead cast is rounded out by Sam Rockwell, Woody Harrelson and Christopher Walken. Zaniness is sure to ensue.Read more here.
Shutter Island (2010)
One of the things Lehane set out to do in his novel was write “a gothic”, and Scorsese and co have taken that ball and run with it. It’s overflowing with a fantastic atmosphere: unsettling, creepy, chilling, horror-movie scary when needed (some sequences are properly hair-raising); truly gothic-feeling.Read more here.
Plus eight archive reviews were reposted on the new blog...
Almost Famous (2000)
Crowe’s autobiographical screenplay is a good one, with plenty of amusing and dramatic moments to keep it ticking over — the most memorable, on a crashing plane, manages both with aplomb. Likewise, his direction is rarely flashy but always works. The music, costumes, design and cinematography evoke the period wellRead more here.
Bullets Over Broadway (1994)
John Cusack spends the entire film doing a blatant and middling impression of writer/director Woody Allen. But he nonetheless does OK, and the rest of the cast are note-perfect, the script pacy and funny, the photography gorgeous, and the long takes never more appropriateRead more here.
Goodfellas (1990)
In the lead role, Ray Liotta seems to have been underrated, lost behind the top billing of De Niro and the award-winning craziness of Joe Pesci. He carries the film, with a performance that isn't showy but is perfectly pitched.Read more here.
A Good Woman (2004)
reviewers like to pounce on the US cast members. Scarlett Johansson is neither here nor there, as per usual, but I thought Helen Hunt was quite good. It's undoubtable that they're overshadowed by British thesps like Tom Wilkinson and Stephen Campbell Moore however, but that's just par for the course.Read more here.
Road to Singapore (1940)
Bob Hope and Bing Crosby star as a pair of young(ish) playboy sailors who run away from responsibility and family expectations in this comedy that launched the perennially popular Road to… series, which would spawn six sequels over the next 22 years.Read more here.
Road to Morocco (1942)
Gentle, silly humour abound in this comedy, the third in the Road to… series. If you remember those plays that Morecambe & Wise used to do you’ll have a fair idea what this feels likeRead more here.
Road to Rio (1947)
If you’ve seen one Road to film then you’ve a fair idea what to expect from any other: lots of comedy, a few songs, a bit of romance, as well as some general hijinks. The differences, in all of these aspects, lie in the specifics: which songs, which gags, and so on... One might say it’s a variety show with a framing device, though there is a little more to the narrative than that.Read more here.
Some Like It Hot (1959)
enjoying it again, didn’t want to skip the chance of handing it five stars in this pathetically brief review... it’s a very funny film even 50 years on. It rattles from situation to situation at an occasionally surprising pace, literally without a dull moment.Read more here.
More next Sunday.
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